53rd Annual Robb Concerts
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I. ELECTRONICA Tuesday 4 February 5:30pm Music for Flute + Live Electronics Jesse Tatum flute UNM Arts Lab II. CELLO & ORGAN Sunday 30 March 4:00pm Robb Sonata for Cello and Piano, Op. 75 Jonathan Golove cello Robb Pipe Organ Works Maxine Thévenot organ Episcopal Cathedral of St. John |
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FREE admission all ages family-friendly community events
Program
Program
I. ELECTRONICA
Tuesday 4 February 5:30pm
Music for Flute & Live Electronics
Jesse Tatum flute
new works by Feng, Arellano, Falk, De León-Ortiz, Vaagen & electronic works of John Donald Robb
UNM Arts Lab
131 Pine Street NE @Central & University
Albuquerque, NM 87106
(505) 277-2253
Directions
Jesse Tatum is a relentless musician, performing chamber music, orchestral music, operas, and solo works. They are Principal Flute of The Santa Fe Symphony, Santa Fe Pro Musica, Opera Southwest Orchestra, and a Principal Player at Chatter, where she has performed well over a decade of adventurous chamber music with the innovative Albuquerque based chamber ensemble. Additionally, Jesse has performed many seasons with The Santa Fe Opera and the New Mexico Philharmonic.
Tatum is described as “reliably excellent” (Santa Fe New Mexican), “The principal flutist Jesse is just a rock star” (Ryan McAdams, conductor), “She is the music of the universe and cannot be contained” (Meow Wolf). Pasatiempo called her an “overachiever” in their profile of the flutist.
Recognized for their authentic, fearless performances, Jesse was featured on KHFM’s 10 at 10 in 2024 with a program of solo works for flute. In 2022, Jesse performed as a concerto soloist with The Santa Fe Symphony, the New Mexico Philharmonic, Chatter, and Santa Fe Pro Musica. An enthusiast of the intersection of visual and musical performance art, they were a regularly featured performer from 2017-2020 at the trailblazing Meow Wolf in Santa Fe. In spring 2023, Tatum performed on a decommissioned rifle for Disarm Flute by Pedro Reyes at SITE Santa Fe. Jesse performed a show of contemporary works for solo flute as FluTeBot in conjunction with the 2018 exhibition Patrick Nagatani: Excavations: Buried Cars and Other Stories. Jesse was a prizewinner at the Myrna Brown Artist Competition. She has performed at the Currents International New Media Festival and appeared as a soloist with the Albuquerque Philharmonic.
Jesse has collaborated with many composers and participated in numerous world, US, and New Mexico premieres of solo, chamber, orchestra and opera works. In 2019 Jesse co-created the Santa Fe Symphony’s Strata series and curated chamber concerts in collaboration with various organizations in Santa Fe. Tatum was a co-curator for Santa Fe Symphony’s “Music of the Multiverse,” a highly lauded collaboration with Meow Wolf in 2021. They have been a Featured Performer of Powell Flutes, profiled in Albuquerque The Magazine, appeared in Rolling Stone magazine, and served multiple times as a Newly Published Music judge for the National Flute Association.
As a student, Jesse was a member of the Catania International Music Festival and the National Repertory Orchestra. Jesse studied at the San Francisco Conservatory of Music and the University of New Mexico. They are also a Licensed Clinical Social Worker in private practice.
Here is Jesse Tatum performing in Untitled Installation, a 2016 collaboration between David Cudney and Lance Ryan McGoldrick, with movement by Diana Delgado.
Tuesday 4 February 5:30pm
Music for Flute & Live Electronics
Jesse Tatum flute
new works by Feng, Arellano, Falk, De León-Ortiz, Vaagen & electronic works of John Donald Robb
UNM Arts Lab
131 Pine Street NE @Central & University
Albuquerque, NM 87106
(505) 277-2253
Directions
Jesse Tatum is a relentless musician, performing chamber music, orchestral music, operas, and solo works. They are Principal Flute of The Santa Fe Symphony, Santa Fe Pro Musica, Opera Southwest Orchestra, and a Principal Player at Chatter, where she has performed well over a decade of adventurous chamber music with the innovative Albuquerque based chamber ensemble. Additionally, Jesse has performed many seasons with The Santa Fe Opera and the New Mexico Philharmonic.
Tatum is described as “reliably excellent” (Santa Fe New Mexican), “The principal flutist Jesse is just a rock star” (Ryan McAdams, conductor), “She is the music of the universe and cannot be contained” (Meow Wolf). Pasatiempo called her an “overachiever” in their profile of the flutist.
Recognized for their authentic, fearless performances, Jesse was featured on KHFM’s 10 at 10 in 2024 with a program of solo works for flute. In 2022, Jesse performed as a concerto soloist with The Santa Fe Symphony, the New Mexico Philharmonic, Chatter, and Santa Fe Pro Musica. An enthusiast of the intersection of visual and musical performance art, they were a regularly featured performer from 2017-2020 at the trailblazing Meow Wolf in Santa Fe. In spring 2023, Tatum performed on a decommissioned rifle for Disarm Flute by Pedro Reyes at SITE Santa Fe. Jesse performed a show of contemporary works for solo flute as FluTeBot in conjunction with the 2018 exhibition Patrick Nagatani: Excavations: Buried Cars and Other Stories. Jesse was a prizewinner at the Myrna Brown Artist Competition. She has performed at the Currents International New Media Festival and appeared as a soloist with the Albuquerque Philharmonic.
Jesse has collaborated with many composers and participated in numerous world, US, and New Mexico premieres of solo, chamber, orchestra and opera works. In 2019 Jesse co-created the Santa Fe Symphony’s Strata series and curated chamber concerts in collaboration with various organizations in Santa Fe. Tatum was a co-curator for Santa Fe Symphony’s “Music of the Multiverse,” a highly lauded collaboration with Meow Wolf in 2021. They have been a Featured Performer of Powell Flutes, profiled in Albuquerque The Magazine, appeared in Rolling Stone magazine, and served multiple times as a Newly Published Music judge for the National Flute Association.
As a student, Jesse was a member of the Catania International Music Festival and the National Repertory Orchestra. Jesse studied at the San Francisco Conservatory of Music and the University of New Mexico. They are also a Licensed Clinical Social Worker in private practice.
Here is Jesse Tatum performing in Untitled Installation, a 2016 collaboration between David Cudney and Lance Ryan McGoldrick, with movement by Diana Delgado.
II. CELLO & ORGAN
Sunday 30 March 2025 4pm
Robb Sonata for Cello and Piano, Op. 75
Jonathan Golove cello
Robb Pipe Organ Works
Jeffrey Brooks clarinet
other works to be announced
Episcopal Cathedral of St. John
318 Silver Avenue SW
Albuquerque, NM 87102
(505) 247-1581
Directions
Sunday 30 March 2025 4pm
Robb Sonata for Cello and Piano, Op. 75
Jonathan Golove cello
Robb Pipe Organ Works
- Overture and Fugue (1946)
- Introduction and Toccata (1956)
- Wedding Music for Clarinet and Pipe Organ, Op. 7
Jeffrey Brooks clarinet
other works to be announced
Episcopal Cathedral of St. John
318 Silver Avenue SW
Albuquerque, NM 87102
(505) 247-1581
Directions
photo credit Brooke Bailey Portraits
Maxine Thévenot
Award-winning Canadian-American musician Maxine Thévenot is known for her skillful musical organ playing, inventive concert programming, and passionate, informed conducting. She combines a profound commitment to her liturgical work as a cathedral musician with concertizing, guest conducting, solo organ recitals, and collaborating with other musicians while striving for representation and access to music of all genres.
Dr. Thévenot is the Director of Cathedral Music and organist at the Episcopal Cathedral of St. John, Albuquerque, where she oversees an internationally renowned choral program and is the Artistic Director of the Friends of Cathedral Music community outreach series. She is also the Founding and Artistic Director of Polyphony: Voices of New Mexico, now celebrating its 19th season, and a Professor of Organ at the University of New Mexico.
Dr. Thévenot’s solo recital career has taken her throughout Europe and Great Britain, in every major city across Canada, and 44 of the 50 United States. Recognized for her excellence as a recording artist, Dr. Maxine Thévenot has released 17 well-received CDs on Raven CD. She is a published composer with Paraclete Press and her music has been performed in Western Europe and North America.
In the 2024-2025 season, Maxine will make music in churches in Little Rock, Nashville, New York City, Philadelphia, Victoria, British Columbia, and closer to home in Albuquerque, New Mexico.
A native of Saskatchewan, Canada, Dr. Maxine Thévenot received her bachelor’s degree in Music Education from the University of Saskatchewan (with Distinction), and her Master of Music and Doctor of Musical Arts degrees from the Manhattan School of Music. She was twice awarded the Bronson Ragan Award at Manhattan School for ‘outstanding ability in organ performance’. Maxine is an Associate of the Royal Canadian College of Organists and the Royal Conservatory of Music, Toronto. She was made an Honorary Fellow of the National College of Music, London, UK, in 2006 for her “services to music.”
Award-winning Canadian-American musician Maxine Thévenot is known for her skillful musical organ playing, inventive concert programming, and passionate, informed conducting. She combines a profound commitment to her liturgical work as a cathedral musician with concertizing, guest conducting, solo organ recitals, and collaborating with other musicians while striving for representation and access to music of all genres.
Dr. Thévenot is the Director of Cathedral Music and organist at the Episcopal Cathedral of St. John, Albuquerque, where she oversees an internationally renowned choral program and is the Artistic Director of the Friends of Cathedral Music community outreach series. She is also the Founding and Artistic Director of Polyphony: Voices of New Mexico, now celebrating its 19th season, and a Professor of Organ at the University of New Mexico.
Dr. Thévenot’s solo recital career has taken her throughout Europe and Great Britain, in every major city across Canada, and 44 of the 50 United States. Recognized for her excellence as a recording artist, Dr. Maxine Thévenot has released 17 well-received CDs on Raven CD. She is a published composer with Paraclete Press and her music has been performed in Western Europe and North America.
In the 2024-2025 season, Maxine will make music in churches in Little Rock, Nashville, New York City, Philadelphia, Victoria, British Columbia, and closer to home in Albuquerque, New Mexico.
A native of Saskatchewan, Canada, Dr. Maxine Thévenot received her bachelor’s degree in Music Education from the University of Saskatchewan (with Distinction), and her Master of Music and Doctor of Musical Arts degrees from the Manhattan School of Music. She was twice awarded the Bronson Ragan Award at Manhattan School for ‘outstanding ability in organ performance’. Maxine is an Associate of the Royal Canadian College of Organists and the Royal Conservatory of Music, Toronto. She was made an Honorary Fellow of the National College of Music, London, UK, in 2006 for her “services to music.”
Here is Maxine Thévenot performing Praeludium in D, BuxWV 139 by Dietrich Buxtehude and Pièce d'Orgue, BWV 572 by J.S. Bach on the Reuter organ at the Episcopal Cathedral of St. John, Albuquerque, NM.
Jonathan Golove
Cellist / composer Jonathan Golove is a native of Los Angeles, California and a resident of Buffalo, New York, where he serves as Associate Professor in the University at Buffalo’s Department of Music. Mr. Golove’s career is marked by its versatility, sense of adventure, and commitment to the performance of both new and traditional works, as well as of improvised music. He has been featured as soloist with the Buffalo Philharmonic Orchestra, Slee Sinfonietta, New York Virtuoso Singers, and, as a baroque cellist, with the USC Early Music Ensemble. He has recorded for the Albany, Centaur, CRI, Albuzerque, and Nine Winds labels, and his performances and interviews have been broadcast by numerous National public radio stations, as well as the West German Radio, Radio Nuevo León, and Radio France. His summer festival appearances include the Sebago-Long Lake and Roycroft Chamber Music Festivals, as well as numerous festivals devoted to new works, including June in Buffalo, the North American New Music Festival, the Aki Festival of New Music, and the Festival del Centro Histórico, Mexico City. A member of the critically acclaimed Baird Trio, Mr. Golove is a former member of the Elisha and June In Buffalo String Quartets, and has performed as a guest with the Cassatt Quartet and the Cleveland Octet.
Mr. Golove is also active as an electric cellist, particularly in the field of creative improvised music, and he is one of a handful of performers on the historic theremin cello. He has performed and recorded with groups including the Michael Vlatkovich Quartet, Ubudis Trio, and Vinny Golia’s Large Ensemble, and made appearances at the Vancouver Jazz Festival, the Eddie Moore Jazz Festival (Oakland), and the International Meeting of Jazz Musicians (Monterrey, Mexico). He has also been honored to perform with such leading figures as Andrew Cyrille, Rashied Ali, Sonny Fortune, Ramón Lopez, and Andre Jaume. Mr. Golove gave the first performance of Varese’s Ecuatorial using Floyd Engel’s recreated theremin cello in 2002, and he played the work with the Asko/Schoenberg Ensemble this past year at the Holland Festival (Amsterdam) and Festival d’Automne (Paris), and more recently with the London Sinfonietta at the Southbank Centre. He will bring this historic instrument to New York City for a performance at the Lincoln Center Festival in July 2010.
Mr. Golove received his undergraduate education at the University of California at Berkeley, where he was a cello student of outstanding Bay Area cellists Bonnie Hampton and Stephen Harrison. As recipient of an Alfred Hertz Traveling Fellowship, he spent a year abroad studying with contemporary music legend Siegfried Palm in Cologne, Germany. He earned a Masters degree in cello performance from USC, studying with LA Philharmonic principal cellist Ronald Leonard.
Here is Jonathan Golove performing "Music for Cello and Computer" by Cort Lippe 21 April 2023 at the University at Buffalo Center for the Arts, Department of Media Study Black Box Concert.
Cellist / composer Jonathan Golove is a native of Los Angeles, California and a resident of Buffalo, New York, where he serves as Associate Professor in the University at Buffalo’s Department of Music. Mr. Golove’s career is marked by its versatility, sense of adventure, and commitment to the performance of both new and traditional works, as well as of improvised music. He has been featured as soloist with the Buffalo Philharmonic Orchestra, Slee Sinfonietta, New York Virtuoso Singers, and, as a baroque cellist, with the USC Early Music Ensemble. He has recorded for the Albany, Centaur, CRI, Albuzerque, and Nine Winds labels, and his performances and interviews have been broadcast by numerous National public radio stations, as well as the West German Radio, Radio Nuevo León, and Radio France. His summer festival appearances include the Sebago-Long Lake and Roycroft Chamber Music Festivals, as well as numerous festivals devoted to new works, including June in Buffalo, the North American New Music Festival, the Aki Festival of New Music, and the Festival del Centro Histórico, Mexico City. A member of the critically acclaimed Baird Trio, Mr. Golove is a former member of the Elisha and June In Buffalo String Quartets, and has performed as a guest with the Cassatt Quartet and the Cleveland Octet.
Mr. Golove is also active as an electric cellist, particularly in the field of creative improvised music, and he is one of a handful of performers on the historic theremin cello. He has performed and recorded with groups including the Michael Vlatkovich Quartet, Ubudis Trio, and Vinny Golia’s Large Ensemble, and made appearances at the Vancouver Jazz Festival, the Eddie Moore Jazz Festival (Oakland), and the International Meeting of Jazz Musicians (Monterrey, Mexico). He has also been honored to perform with such leading figures as Andrew Cyrille, Rashied Ali, Sonny Fortune, Ramón Lopez, and Andre Jaume. Mr. Golove gave the first performance of Varese’s Ecuatorial using Floyd Engel’s recreated theremin cello in 2002, and he played the work with the Asko/Schoenberg Ensemble this past year at the Holland Festival (Amsterdam) and Festival d’Automne (Paris), and more recently with the London Sinfonietta at the Southbank Centre. He will bring this historic instrument to New York City for a performance at the Lincoln Center Festival in July 2010.
Mr. Golove received his undergraduate education at the University of California at Berkeley, where he was a cello student of outstanding Bay Area cellists Bonnie Hampton and Stephen Harrison. As recipient of an Alfred Hertz Traveling Fellowship, he spent a year abroad studying with contemporary music legend Siegfried Palm in Cologne, Germany. He earned a Masters degree in cello performance from USC, studying with LA Philharmonic principal cellist Ronald Leonard.
Here is Jonathan Golove performing "Music for Cello and Computer" by Cort Lippe 21 April 2023 at the University at Buffalo Center for the Arts, Department of Media Study Black Box Concert.
Jeffrey Brooks
Beyond being a very active performer, Dr. Jeffrey Brooks is the Assistant Professor of Clarinet at the University of New Mexico in Albuquerque and the owner of ClarinetMonsteR.com. Before moving to Albuquerque in 2019, Jeff was an Artist Affiliate at Emory University and the adjunct Professor of Clarinet at Morehouse College in Atlanta. He served as sabbatical replacement at Florida State University and Ohio University and held teaching positions as adjunct clarinet instructor at Central Washington University and Walla Walla University.
As a concerto soloist, Jeff, has been heard on numerous occasions. He has presented scores of solo recitals, and has performed with the Seattle Symphony, Seattle Opera, Atlanta Symphony, Charleston Symphony, the Savannah Philharmonic, and many more symphonic organizations. In January 2018, he was a guest clinician at the annual Georgia Music Educators Association’s conference in Athens, GA.
Jeff has recorded for the Naxos and New World Record labels, independently released two jazz CD’s available on itunes.com, and recorded on multiple film soundtracks, video games, and commercials. In addition, he recently developed “Monsters of Clarinet”, a classical and jazz crossover pops program for jazz quartet and symphony orchestra that is currently being marketed nationally.
His teachers have included Dr. Frank Kowlasky, Dr. Deborah Bish, Eddie Daniels, Laura DeLuca, Chip Phillips, and Joseph Brooks and he holds a MM and a DM from Florida State University. Check out ClarinetMonsterR.com for details on Jeff’s clarinet repair and sales business, recordings, performance calendar, and soon to come Clarinet Monster Academy.
Here is Jeff Brooks performing Black Dog by Scott McAllister with the UNM Wind Symphony 19 September 2019, Albuquerque, NM.
Beyond being a very active performer, Dr. Jeffrey Brooks is the Assistant Professor of Clarinet at the University of New Mexico in Albuquerque and the owner of ClarinetMonsteR.com. Before moving to Albuquerque in 2019, Jeff was an Artist Affiliate at Emory University and the adjunct Professor of Clarinet at Morehouse College in Atlanta. He served as sabbatical replacement at Florida State University and Ohio University and held teaching positions as adjunct clarinet instructor at Central Washington University and Walla Walla University.
As a concerto soloist, Jeff, has been heard on numerous occasions. He has presented scores of solo recitals, and has performed with the Seattle Symphony, Seattle Opera, Atlanta Symphony, Charleston Symphony, the Savannah Philharmonic, and many more symphonic organizations. In January 2018, he was a guest clinician at the annual Georgia Music Educators Association’s conference in Athens, GA.
Jeff has recorded for the Naxos and New World Record labels, independently released two jazz CD’s available on itunes.com, and recorded on multiple film soundtracks, video games, and commercials. In addition, he recently developed “Monsters of Clarinet”, a classical and jazz crossover pops program for jazz quartet and symphony orchestra that is currently being marketed nationally.
His teachers have included Dr. Frank Kowlasky, Dr. Deborah Bish, Eddie Daniels, Laura DeLuca, Chip Phillips, and Joseph Brooks and he holds a MM and a DM from Florida State University. Check out ClarinetMonsterR.com for details on Jeff’s clarinet repair and sales business, recordings, performance calendar, and soon to come Clarinet Monster Academy.
Here is Jeff Brooks performing Black Dog by Scott McAllister with the UNM Wind Symphony 19 September 2019, Albuquerque, NM.
John Donald Robb (1892-1989) led a rich and varied life as an attorney, composer, arts educator, and folk song collector and preservationist. He composed an impressive body of work including symphonies, concertos, sonatas, chamber and other instrumental music, choral works, songs, and arrangements of folk songs, two operas, including Little Jo, a musical comedy, Joy Comes to Deadhorse, and more than 65 electronic works. Robb’s orchestral works have been played by many major orchestras in the United States and abroad under noted conductors, such as Hans Lange, Maurice Bonney, Maurice Abravanel, Leonard Slatkin, Gilberto Orellano, Yoshimi Takeda, Guillermo Figueroa, James Richards and Franz Vote.
Here is John Donald Robb's Rhythmania, from his album Rhythmania and Other Electronic Musical Compositions ℗2004 Smithsonian Folkways Recordings, initially published in 1976.
Here is John Donald Robb's Rhythmania, from his album Rhythmania and Other Electronic Musical Compositions ℗2004 Smithsonian Folkways Recordings, initially published in 1976.
Artistic Directors
Karola Obermüller’s composing, described by the New York Times as "hyperkinetic music”, is constantly in search of the unknown. After obtaining composition degrees in Nuremberg, Saarbrücken, and the University Mozarteum Salzburg, her sense of rhythm and form was forever changed by studying Carnatic and Hindustani classical music in Chennai and Delhi, India.
A Ph.D. at Harvard University brought her to the US where she taught at the University of New Mexico before joining the Department of Music at UC San Diego. She also lives and works part of the year in Europe and has been a visiting artist at ZKM, Deutsche Akademie Rom, Centro Tedesco di studi Veneziani, Akademie Schloss Solitude, Eisler House (International Hanns Eisler Scholarship), and IRCAM.
Her music, often political, always dramatic, includes operas for Staatstheater Nürnberg, Theater Bielefeld, Theater Bonn, Theater Heidelberg, Theater Aachen, and Stuttgart’s Musik der Jahrhunderte. The emotional juxtapositions of story suspended in a tableau architecture that one finds in her operas can be heard in her concert works as well. These include commissions from the Ernst von Siemens Music Foundation, the National Endowment for the Arts, the Fromm Music Foundation, New Music USA, Bayerischer Rundfunk, Saarländischer Rundfunk, and numerous renowned soloists and ensembles.
Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics, NEOS) and online at karolaobermueller.net.
Here is Karola Obermüller's Dehnung (2020) for daegeum, koto, gayageum, two violins, viola violoncello, double bass, and percussion performed by AsianArt Ensemble 15 May 2023, Konzerthaus Berlin. All rights reserved.
A Ph.D. at Harvard University brought her to the US where she taught at the University of New Mexico before joining the Department of Music at UC San Diego. She also lives and works part of the year in Europe and has been a visiting artist at ZKM, Deutsche Akademie Rom, Centro Tedesco di studi Veneziani, Akademie Schloss Solitude, Eisler House (International Hanns Eisler Scholarship), and IRCAM.
Her music, often political, always dramatic, includes operas for Staatstheater Nürnberg, Theater Bielefeld, Theater Bonn, Theater Heidelberg, Theater Aachen, and Stuttgart’s Musik der Jahrhunderte. The emotional juxtapositions of story suspended in a tableau architecture that one finds in her operas can be heard in her concert works as well. These include commissions from the Ernst von Siemens Music Foundation, the National Endowment for the Arts, the Fromm Music Foundation, New Music USA, Bayerischer Rundfunk, Saarländischer Rundfunk, and numerous renowned soloists and ensembles.
Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics, NEOS) and online at karolaobermueller.net.
Here is Karola Obermüller's Dehnung (2020) for daegeum, koto, gayageum, two violins, viola violoncello, double bass, and percussion performed by AsianArt Ensemble 15 May 2023, Konzerthaus Berlin. All rights reserved.
Peter Gilbert (Associate Professor of Music, University of New Mexico) has commissions and accolades from the Barlow Foundation, New Music USA, the Aaron Copland House, ZKM (Institut für Akustik und Musik), the Russolo Foundation, the Look & Listen Festival, the Third Practice Festival, and IMEB Bourges. He writes: “My music usually aspires to create a sonic architecture that helps us lose our sense of time completely and allows us to partake in a kind of more direct aural experience in search of passageways to transcendence.”
Gilbert’s music can be heard on numerous labels including New Focus Recordings and at petergilbert.net.
Here is Peter Gilbert's Soon as the Sun Forsook the Eastern Main performed by Emanuele Arciuli, piano from the album Burned into the Orange released by New Focus Recordings and available on Bandcamp.
Gilbert’s music can be heard on numerous labels including New Focus Recordings and at petergilbert.net.
Here is Peter Gilbert's Soon as the Sun Forsook the Eastern Main performed by Emanuele Arciuli, piano from the album Burned into the Orange released by New Focus Recordings and available on Bandcamp.
Archive
Robb Concert programs
2024 | 2023
John Donald Robb Composers' Symposium *
2023 | 2022 | 2021 (2021 addendum)
2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011
2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001
2000 | 1999 | 1998 | 1997 | 1996 | 1995 | 1994 | 1993 | 1992 | 1991
1990 | 1989 | 1988 | 1987 | 1986 | 1985 | 1984 | 1983 | 1982 | 1981
1980
* Robb Concert programs are included in Composers' Symposium commemorative booklets prior to 2023.
Robb Concert programs
2024 | 2023
John Donald Robb Composers' Symposium *
2023 | 2022 | 2021 (2021 addendum)
2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011
2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001
2000 | 1999 | 1998 | 1997 | 1996 | 1995 | 1994 | 1993 | 1992 | 1991
1990 | 1989 | 1988 | 1987 | 1986 | 1985 | 1984 | 1983 | 1982 | 1981
1980
* Robb Concert programs are included in Composers' Symposium commemorative booklets prior to 2023.